Rimsky-Korsakov's Scheherazade was composed in 1888. It has been issued on LP numerous times and the way record labels have approached the packaging of this work - which was inspired by the narrator of 1001 Nights - provides an interesting example of changing styles and tastes.

As the narrator was the beautiful Sultana Scheherazade, most designers use the image of a Persian Princess, depicted either photographically or via illustration, sometimes specially commissioned, sometimes from picture agencies.

 

Minneapolis Symphony Orchestra
Mercury MG 50009 : 1952 (?) : USA

Illustrator : Maas This striking image is printed in four separate colours plus gold, on a sheet of paper which was then stuck onto a pre-prepared white card cover, the standard production method for American album sleeves.

Minneapolis Symphony Orchestra
Mercury MG 50009 : 1952 (?) : USA

Photographer : unknown This and the edition above have almost identical backs, yet here a posed photograph of the woman in a feathered turban replaces the illustration, possibly as part of an updating and generic look being applied to the label's releases.

Philadelphia Orchestra
Philips Favourites S04628L : 1956 : Holland

Photographer : Paul Huf, model : Ann Pickford The Philips Favourites series was launched in 1956, the first Dutch classical album sleeves to use colour photography. 52 albums were issued and all featured the same model. So well known did they become that two in the series were issued without any titles on the front, Scheherazade was one.

London Symphony Orchestra
RCA SB 2003: 1958 : UK

Photographer : unknown Another specially commisssioned photograph, though neither the model or photographer are credited - only the shop which supplied the jewelry! A striking image, spoilt by the addition of the over large stereo banner (this was one of the first stereo albums issued), the artwork originated in America.

London Symphony Orchestra
RCA VIC 1013: 1962 : UK

Photographer : unknown A cheaper reissue of the same recording four years later printed in black and white. It's hard to tell whether the photo was specially commissioned or taken from a library image, but either way it reflects the budget nature of the series.

L'Orchestre de la Suisse Romande
Decca LXT 5628 : 1961 : UK

Designer : unknown Another low price release, a far cry from earlier albums in the LXT series. As this is (one assumes) an older mono recording, they've added another Russian piece to the album, so the cover tries to cover both works when the image of the eyes alone would have been a better bet. The generic type is typical of Decca albums of the early sixties.

Vienna Symphony Orchestra
Contour 6870 578: 1972 : UK

Photographer : unknown This release on one of Philips' low-price UK labels Contour (which mixed classical and easy listening) has a commissioned photograph which, though clear and sharp, lacks the style of the earlier images on this page. The recording is recycled from 1958.

Royal Philharmonic Orchestra
RCA Red Seal RL 11182: 1976 : UK

Illustration : Elisabeth Giros This rerelease of a 1969 recording takes us full circle back to a well executed commissioned illustration which has hints of sixties psychedelia as well as seventies Biba imagery.

Click on the sleeves for a larger image.

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